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Cobi

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  1. THE SCOREBOARD GRAND FINAL SCOREBOARD 1 ARGENTINA 0 1 KAZAKHSTAN 0 1 BRAZIL 0 1 LITHUANIA 0 1 BULGARIA 0 1 MALTA 0 1 CHILE 0 1 MEXICO 0 1 CHINA 0 1 MOLDOVA 0 1 CROATIA 0 1 NETHERLANDS 0 1 CZECH REPUBLIC 0 1 NEW ZEALAND 0 1 DENMARK 0 1 NORWAY 0 1 FINLAND 0 1 POLAND 0 1 FRANCE 0 1 PORTUGAL 0 1 GERMANY 0 1 ROMANIA 0 1 GREAT BRITAIN 0 1 SERBIA 0 1 GREECE 0 1 SLOVAKIA 0 1 HUNGARY 0 1 SLOVENIA 0 1 INDIA 0 1 SPAIN 0 1 INDONESIA 0 1 SWEDEN 0 1 IRELAND 0 1 TUNISIA 0 1 ISRAEL 0 1 UKRAINE 0 1 ITALY 0 1 USA 0 Ladies and gentlemen, this concludes the Opening ceremony of the Totallympics Annual International Song Contest 2023. See you tomorrow at 9:00 (Central European Time)!
  2. THE OATHS OF TISC Competitors' Oath Armaan Malik, India "In the name of all competitors, I promise that we shall take part in this Contest, respecting and abiding by the rules that govern TISC - committing ourselves to a competition that values respect and the true spirit of sportsmanship, for the glory of music and the honor of our nations!" Jury Members' Oath @mrv86, Mexico "In the name of all the jury members, I promise that we shall adjudicate in our deliberations at this Contest with complete impartiality, respecting and abiding by the rules which govern TISC in the true spirit of sportsmanship!" Hosts' Oath @Cobi, Spain "I promise that Ishall organize this Contest, respecting and abiding by the rules that govern TISC - committing myself to overseeing a competition that values respect and promotes the true spirit of sportsmanship, for the glory of music and the honor of our nations!"
  3. GUEST STAR - ROSALÍA The artistic part of the ceremony will be closed by the most international Spanish artist of the moment, Rosalía, who will interpret a version of the song "Me quedo contigo".
  4. EL ANACRONÓPETE - 20th & 21st CENTURY ARTISTIC PROGRAM (6/6) The 20th century was a time of significant change and upheaval in Spain, and its music reflected these changes. During this time, Spanish music saw the emergence of new styles and genres, as well as a renewed interest in traditional Spanish music. One of the most important musical styles to emerge in Spain during the 20th century was flamenco nuevo, which was characterized by its fusion of traditional flamenco music with contemporary styles such as jazz, rock, and pop. Flamenco nuevo was popularized by musicians such as Paco de Lucía, who was known for his virtuosic guitar playing, and Camarón de la Isla, who was known for his passionate singing. Another important musical genre to emerge in Spain during the 20th century was Spanish classical music. Spanish composers such as Joaquín Rodrigo, Manuel de Falla, and Xavier Montsalvatge continued to compose works that fused traditional Spanish music with contemporary classical styles. Additionally, Spanish opera saw a resurgence in popularity during this period, with new works being composed by composers such as Federico Moreno Torroba and Josep Soler. The 20th century was also a time of significant experimentation in Spanish music. In the 1960s and 1970s, a new musical movement emerged in Spain known as "La Movida," which was characterized by its fusion of punk, new wave, and electronic music with traditional Spanish styles. La Movida was particularly popular in Madrid and Los Bravos, who participated in the 2022 Open TISC edition, was one of the groups that gained popularity during the time. In recent years, Spanish music has continued to evolve and grow, with new artists and genres emerging on the scene. Some of the most popular Spanish musicians today include Rosalía, who has gained international fame for her fusion of flamenco and contemporary pop music, and Alejandro Sanz, who is known for his romantic ballads and fusion of pop and Latin music.
  5. EL ANACRONÓPETE - ROMANTIC PERIOD ARTISTIC PROGRAM (5/6) The Romantic period in Spain, which lasted from the early 19th century to the early 20th century, was a time of great artistic and cultural development. This era was marked by the emergence of new musical styles and genres, as well as a renewed interest in traditional Spanish folk music. One of the most important composers of the Romantic period in Spain was Manuel de Falla, who was known for his fusion of traditional Spanish folk music with contemporary classical music. Falla's works were notable for their use of Spanish rhythms and melodies, as well as their exploration of new harmonic and tonal structures. His most famous works include the ballet "El amor brujo" and the opera "La vida breve". Another significant composer from this period was Isaac Albéniz, who was also known for his use of Spanish folk music in his compositions. Albéniz's works were notable for their virtuosic piano writing, as well as their use of Spanish melodies and rhythms. His most famous works include the suite "Iberia" and the piano piece "Asturias (Leyenda)". The Romantic period in Spain was also marked by the emergence of the Spanish guitar as a popular instrument. The guitar, which had been used in Spain since the Middle Ages and is the logo of this edition of the TISC, saw a resurgence in popularity during the Romantic era, particularly with the rise of flamenco music. Flamenco music was characterized by its use of intricate guitar playing, passionate singing, and rhythmic footwork. In addition to Falla and Albéniz, other notable Spanish composers from the Romantic period include Joaquín Rodrigo, who was known for his guitar music, and Pablo Sarasate, who was known for his virtuosic violin playing. Overall, the Romantic period in Spain was a time of great artistic and cultural growth, marked by the emergence of new musical styles and the renewed interest in traditional Spanish folk music. The fusion of traditional Spanish music with contemporary classical music set the foundation for the development of new musical genres in the centuries to comeº.
  6. EL ANACRONÓPETE - BAROQUE ERA ARTISTIC PROGRAM (4/6) The Baroque period in Spain, which lasted from the early 17th century to the mid-18th century, was a time of significant artistic and cultural development. This era was marked by the emergence of new musical styles and genres, as well as the introduction of new musical instruments and technologies. One of the most important musical genres of the Baroque era in Spain was the zarzuela, a type of Spanish musical theater that combined singing, dancing, and acting. The zarzuela was characterized by its use of popular melodies and rhythms, as well as its humorous and satirical lyrics. The genre was particularly popular in Madrid, where it was performed in theaters and public spaces. The Baroque period in Spain was also marked by the emergence of new musical instruments, including the harpsichord and the guitar. The harpsichord, a keyboard instrument that was similar to a piano but produced sound by plucking strings, became increasingly popular in Spain during this period. The guitar, which had been used in Spain since the Middle Ages, also saw a resurgence in popularity during the Baroque era. One of the most important composers of the Baroque period in Spain was Antonio Soler, who was known for his keyboard music. Soler was particularly skilled at writing for the harpsichord, and his works were notable for their technical complexity and virtuosity. His music continues to be performed and admired today, both in Spain and around the world. Another important composer from this period was Domenico Scarlatti, who was born in Italy but spent much of his career in Spain. Scarlatti was known for his keyboard music, particularly his sonatas, which were characterized by their rhythmic complexity and virtuosic passages. Overall, the Baroque period in Spain was a time of great musical innovation and experimentation. The emergence of new musical styles, genres, and instruments set the foundation for the development of new musical forms in the centuries to come, and many of the works composed during this era continue to be celebrated and performed today.
  7. In the case of Spain some of them went to the city of Thessaloniki (Greece) that was ruled by the Ottoman Empire and they thrived in their new city as traders and artisans. Eventhough they were expelled from the country, they kept their costumes and language (Ladino) for many generations.
  8. EL ANACRONÓPETE - RENAISSANCE ARTISTIC PROGRAM (3/6) The Renaissance period in Spain, which lasted from the late 15th century to the early 17th century, was a time of great artistic and cultural growth. This period was marked by the emergence of new musical styles and genres, as well as the development of new musical instruments. Polyphonic music, in which multiple voices or instrumental parts are performed simultaneously, became increasingly popular during the Renaissance period. One of the most important Spanish composers of this era was Tomás Luis de Victoria, who wrote a significant amount of sacred music, including masses, motets, and hymns. His music was characterized by its complexity and emotional depth, and his works were often performed in cathedrals and other religious institutions. Another significant composer from this period was Francisco Guerrero, who was also known for his sacred music. Guerrero's music was notable for its use of chromaticism, which added an element of tension and drama to his compositions. During the Renaissance period, the lute emerged as a popular instrument in Spain. The lute was a plucked string instrument that was similar to a guitar but had a smaller body and a longer neck. Luis Milan, a prominent lutenist and composer from Valencia, was known for his secular music, including his collection of solo lute pieces called "El Maestro." In addition to polyphonic music and the lute, Spain also saw the emergence of the villancico, a popular song form that was often performed in the vernacular language. The villancico was characterized by its lively rhythms, catchy melodies, and simple harmonies. One of the most famous villancico composers was Juan del Encina, who wrote numerous works for the court of King Ferdinand and Queen Isabella. Overall, the Renaissance period in Spain was a time of great musical experimentation and innovation. The emergence of new musical styles and instruments set the foundation for the development of new musical genres in the centuries to come.
  9. EL ANACRONÓPETE - MIDDLE AGES ARTISTIC PROGRAM (2/6) During the Middle Ages, music in Spain was largely dominated by troubadours and minstrels. These performers traveled from town to town, entertaining audiences with their songs and instruments, and often performed in castles, palaces, and other noble residences. The music of this period was often improvised and performed in the vernacular language, reflecting the emergence of a distinct Spanish culture. One of the most significant musical genres of the Middle Ages was the Cantigas de Santa Maria, a collection of songs written in Galician-Portuguese, a language spoken in the northwest region of Spain. The Cantigas were written by King Alfonso X of Castile, who ruled from 1252 to 1284, and were dedicated to the Virgin Mary. The songs featured various musical styles, including monophonic and polyphonic music, and were often performed with instruments such as the vielle, a medieval string instrument similar to a violin. Another popular genre of music in medieval Spain was the Sephardic music of the Jewish community. The Sephardic Jews, who lived in Spain until their expulsion in 1492, had a distinct musical tradition that blended elements of Jewish, Arabic, and Christian music. The songs were often sung in Ladino, a language derived from Old Spanish and Hebrew, and were accompanied by instruments such as the oud, a lute-like instrument. The music of the Middle Ages in Spain was characterized by its simplicity and the use of modal scales. The melodies were often repetitive, and the lyrics were frequently focused on love, religion, and morality. Although the music of this period may seem primitive compared to later periods, it played an essential role in the development of Spanish music, setting the foundation for the emergence of new musical styles and genres in the centuries to come.
  10. TIME TRAVEL: EL ANACRONÓPETE ARTISTIC PROGRAM (1/6) The story of 'El anacronópete' is a fascinating tale of time travel and adventure, written by Enrique Gaspar in 1887. This story is significant because it is considered to be one of the first works of science fiction in Spain, and it was also the first literary work to introduce the concept of a time machine. The story follows the adventures of Professor Don Sindulfo García and his student, Ramón, as they embark on a time travel journey in the anacronópete, which is the first time machine ever created. The inventor of the anacronópete, Enrique Gaspar, accompanies them on their journey. Throughout the story, the characters travel through different eras in Spanish history, witnessing significant events and encountering famous historical figures. The story is not only a thrilling adventure but also an opportunity to learn about the evolution of Spanish culture, including its music history. As we explore the different time periods that the characters visit, we will also discover the role that music played during each era and the different musical styles and instruments that were popular. Join us on this exciting journey through time and music in 'El anacronópete'!
  11. WHAT CAN YOU DO IN SPAIN? A recommendation from the organizing committee is to take advantage of the trip to Seville to get to know Spain. Did you know that Spain is the second country that receives the most tourists? In 2019, before the pandemic, an estimated 83.5 million people visited Spain. That's almost double the population! Although Spain is not a very large country in terms of size, you can find practically everything in it. From the wide white sand beaches of the Balearic Islands or Murcia to ski resorts in Sierra Nevada and the Pyrenees. We also have some desert areas, such as the Tabernas desert in Almería or the Maspalomas Dunes in Gran Canaria. If you prefer urban life there are also options for you. From big cities like Madrid and Barcelona to smaller cities but full of history like Toledo, Granada, Oviedo or Santiago de Compostela.
  12. PARADE OF NATIONS (4/4) PORTUGAL - PORTUGAL Artist: Sara Carreira Jury Member(s): @kungshamra71 ROMANIA - RUMANÍA Artist: David Ciente & Irina Rimes Jury Member(s): @IoNuTzZ SERBIA - SERBIA Artist: Marija Šerifovic Jury Member(s): @NikolaB SLOVAKIA - ESLOVAQUIA Artist: Heľenine oči Jury Member(s): @hckošice SLOVENIA - ESLOVENIA Artist: Nina Pušlar Jury Member(s): @justony SPAIN - ESPAÑA Artist: Ana Mena Jury Member(s): @Cobi SWEDEN - SUECIA Artist: LALEH & DARIN Jury Member(s): @Belle TUNISIA - TÚNEZ Artist: KASO Jury Member(s): @amen09 UKRAINE - UCRANIA Artist: Jerry Heil, alyona alyona & Ela Jury Member(s): @Illya USA - ESTADOS UNIDOS Artist: Judah & the Lion Jury Member(s): @Olympian1010@owenp_23 @dezbee2008
  13. PARADE OF NATIONS (3/4) ITALY - ITALIA Artist: La Rappresentante di Lista Jury Member(s): @SteveParker @Pablita @Henry_Leon KAZAKHSTAN - KAZAJISTÁN Artist: Kazybek Kuraiysh Jury Member(s): @Ruslan LITHUANIA - LITUANIA Artist: Jessica Shy Jury Member(s): @Werloc MALTA - MALTA Artist: Kurt Calleja Jury Member(s): @Glen MEXICO - MÉXICO Artist: Sabino & Los Rumberos Jury Member(s): @mrv86 MOLDOVA - MOLDAVIA Artist: Dan Balan Jury Member(s): @Ionoutz24 NETHERLANDS - PAÍSES BAJOS Artist: Di-Rect Jury Member(s): @heywoodu NEW ZEALAND - NUEVA ZELANDA Artist: Marlon Williams Jury Member(s): @Wanderer NORWAY - NORUEGA Artist: JONE Jury Member(s): @vkristijan POLAND - POLONIA Artist: Sanah Jury Member(s): @rybak
  14. PARADE OF NATIONS (2/4) GERMANY - ALEMANIA Artist: Michael Schultle Jury Member(s): @catgamer GREAT BRITAIN - GRAN BRETAÑA Artist: The Lathums Jury Member(s): @Cinnamon Bun FINLAND - FINLANDIA Artist: Bess Jury Member(s): @Finnator123 GREECE - GRECIA Artist: Amanda Tenfjord & Evangelia Jury Member(s): @Makedonas @maestro @Yannakis HUNGARY - HUNGRÍA Artist: Platon Karataev Jury Member(s): @Yannakis INDIA - INDIA Artist: Armaan Malik Jury Member(s): @Fly_like_a_don INDONESIA - INDONESIA Artist: Tulus Jury Member(s): @Griff88 IRELAND- IRLANDA Artist: Cian Ducrot Jury Member(s): @OlympicIRL ISRAEL - ISRAEL Artist: Full trunk and Jimbo Jury Member(s): @Dnl
  15. PARADE OF NATIONS (1/4) ARGENTINA - ARGENTINA Artist: Babasonicos Jury Member(s): @konig BRAZIL - BRASIL Artist: Jão Jury Member(s): @titicow @vinipereira BULGARIA - BULGARIA Artist: Molec Jury Member(s): @Federer91 CHILE - CHILE Artist: Shirel Jury Member(s): @ManuCHIL CHINA - CHINA Artist: Air Jury Member(s): @Vic Liu CROATIA - CROACIA Artist: Swingers Jury Member(s): @dcro CZECH REPUBLIC - CHEQUIA Artist: MYDY Jury Member(s): @Hipooo DENMARK - DINAMARCA Artist: Blaue Blume Jury Member(s): @Agger @Wumo FRANCE - FRANCIA Artist: Juliette Armanet Jury Member(s): @Benolympique @Bohemia
  16. 20 EDITIONS OF THE TOTALLYMPICS INTERNATIONAL SONG CONTEST Ireland 2013 Mexico 2014 Serbia 2014 Denmark 2015 Ireland 2015 Slovakia 2016 Lithuania 2016 Great Britain 2017 Tunisia 2017 Brazil 2018 United States 2018 Mexico 2019 Denmark 2019 Croatia 2020 Netherlands 2020 Poland 2021 Israel 2021 Hungary 2022 Czech Republic 2022 Spain 2023 NEW! This year marks 20 editions. Throughout this past decade, 58 countries and more than 700 songs have passed through the stage of this contest. That is why, before starting with the artistic part of the ceremony, I would like to thank and congratulate all the users who have made it possible for this event to continue to bring together the entire Totallympics community twice a year. Therefore, as a tribute to the history of the event, the parade of nations will be accompanied by some songs that have emerged victorious from TISC, starting with the one that started it all.
  17. The Spanish delegation is very happy to have today in Sevilla the presence of nations from all over the world to celebrate an iconic event of this community. But this would not have been possible without three women who made history a year ago in Hungary by achieving the first Spanish victory in the TISC. That is why this ceremony could not start in any other way than with the performance of Tanxugueiras, who will present us her new song: Fame de Odio.
  18. Ladies and Gentlemen, Welcome to The Opening Ceremony of the 2023 Annual Totallympics International Song Contest!
  19. It would be something like this: Ranking method (6 options): Top3 combined Top4 combined Highest and lowest 2nd and 3rd highest Last team member only Highest team member only Bonus points method (4 options): Most points scored from a single jury Highest streak of juries giving at least 8 points to the team Highest number of votes (it does not take into account if it is placed 1st or 12th) Collusion (the nation that has given the most points to its teammates during the Session wins) The points for each position would be as follows (adding the restrictions of the Ranking Method): Ranking Points 1 70 2 66 3 62 4 58 5 54 6 50 7 46 8 42 9 38 10 36 11 34 12 32 13 30 14 28 15 26 16 24 17 22 18 21 19 20 20 19 21 18 22 17 23 16 24 15 25 14 26 13 27 12 28 11 29 10 30 9 31 8 32 7 33 6 34 5 35 4 36 3 37 2 38 1 And the Bonus could give 30 points to the best team, 15 to the second and 5 to the third one for each session (having a different bonus every time).
  20. That seems funny and would help to make it more unpredictable . Do you have any ideas for ranking methods?
  21. I also like this one. Would you prefer having just 4 cards (1 per session) or more than 4 even if some of them are not picked?
  22. I like this better. For the scoring I'm not sure if just give 1 point per position (i.e 1st place of the session gets 38 points and 38th place gets 1 point) or maybe incremental (1 point difference for 17-38th, 2 points difference for 9-16th and 4 points difference for 1-8th).
  23. Yes, they are usually the ones pushing harder for change. On the other hand we have the two Archipelagos. Balearic Islands likes the current time zone because of their geographical location and the Canary Islands like it because being one hour behind the Peninsula means free publicity (in radio shows aired nationwide when mentioning the time the host always says "Son las 18:00, una hora menos en Canarias" which means "It's 6 o'clock, one hour less in the Canary Islands").
  24. Any ideas for the Team Event format? I had this but I don't really like it, so it would be great if we can find a good format. For each session, teams get points according to their position in that Session (doesn't matter if the first team scored 70 or 45 points, just the ranking). Each team can have one discard per Session (two for Madrid and Barcelona because of having 5 nations), so the points of the first 3 nations of each team are added to have the overall score of the Session. The scoring nations may vary between sessions (if Nation A is the discard of the team in Session 1, Nation A can still score points for the team in Sessions 2-4) and the final score would be the sum of the four Sessions. The reason why I don't like it is because I find the system a little bit pasive (just an update at the end of each Session). To make it more interesting maybe we could add power-ups (at the beginning of the Session, one user could randomly pick one card that would impact the Session. There would be 4 cards, one per session. 2 of them will have no consequences, 1 will double the points obtained during the Session and the last one will consider the 4 best nations of the team for the overall score of the team instead of the top3 as usual). Another option to make it more dynamic would be to include bonus points at the end of the event. For example, the best 3 teams in several categories (highest streak of juries receiving a combined 10 points, most points scored from a single jury...) would be awarded additional points. We can have 4 categories and have all of the them give points or maybe use the format of Mario Party games where one category is randomly selected and it's the only one to give extra points (but we wouldn't know which one until the Closing Ceremony).
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